Remember the Aquatint self-portrait? Here I use a similar method to create a multi-tonal zinc plate, with black, white, and three shades of grey. For funsies, I included a riddle to go with the print- see if you can work it out!
Wednesday, February 27, 2013
Thursday, February 7, 2013
Conclusion to Adventures with Giorgio Morandi
(The only time I have to draw is when I'm hanging out in the lab, waiting for assays to run. Hence, the subject matter)
Sunday, February 3, 2013
Giorgio Morandi study- an adventure in crosshatching across disciplines
Giorgio Morandi was an early 20th century printmaker, and I had never heard of him before last Thursday. However, we were assigned to check out some of his drypoint still life etchings, copy one, and follow up with a still life of our own.
This post contains something of a personal adventure for me, as I (eh heh he) cross-hatch some preconceptions, and learn a bit about the art of laboratory work.
This post contains something of a personal adventure for me, as I (eh heh he) cross-hatch some preconceptions, and learn a bit about the art of laboratory work.
Saturday, February 2, 2013
Drypoint commemorative stamp
Our second assignment was to design a commemorative stamp, 2"x3", and scratch it onto a small zinc plate using the drypoint technique. I pondered designs for Sugar Pie Desanto and Etta James, Mia Zapata, even Fred Astair. In the end though, I ended up with a sketchbook page full of Tank Girl fanart... Thus, I give you a commemorative stamp of tank girl (though I don't think the USPS will accept it...).
Wherein I complain about engraving Additional comments behind the jump
Aquatint self-portrait print
...So I failed in my original plan to create more artwork on my own time. However, perhaps I'm not beyond hope- I started taking an Intaglio (in-TAL-lee-oh) printmaking class, and now I can justify spending time on art. Pardon me while I click my heels in joy!
Enough excuses. Here's a two-tone aquatint self-portrait pulled off an acid-etched zinc plate. Methods, progress shots, and rambling behind the jump, in case you wanna learn about how this was made.
Enough excuses. Here's a two-tone aquatint self-portrait pulled off an acid-etched zinc plate. Methods, progress shots, and rambling behind the jump, in case you wanna learn about how this was made.
4"x 5"
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